(Image credit: Nikon) 8. It is the ideal ultra wide-angle lens for regular use. Enter Canon’s RF 800mm f/11 IS STM, which is a very fresh and unique take on the ultra-long 800mm lens. While f/1.2 and f/1.4 lenses are typically considered “very fast,” FUJIFILM takes it up a notch with its XF 50mm f/1.0 R WR. Manual focus, special effects lenses are available for many camera systems. Buy Rent 1. There are more telephoto lenses coming. M.Zuiko Digital ED 150-400mm f/4.5 TC1.25X IS PRO, 6 Brilliant Color Film Types for Landscape Photographers to Try, A Camouflage Buying Guide for Wildlife Photographers, Editing in the New Year with Secure Storage, Canon RF 100-500mm f/4.5-7.1L IS USM Lens, Olympus M.Zuiko Digital ED 150-400mm f/4.5 TC1.25X IS PRO Lens, Sigma 85mm f/1.4 DG DN Art Lens for Leica L, Venus Optics Laowa 15mm f/4.5 Zero-D Shift Lens for Canon RF, ProRes RAW Demystified: Learn Workflow from Capture to Export, Birding USA, Part 2: 10 Central US Hotspots for Photographing Birds, Thunderbolt 3, USB 3.1, USB Type-C: Making Sense of Connections, © 2000-2021 B & H Foto & Electronics Corp. 420 9th Ave, New York, NY 10001. The Nikon Nikkor Z 24-70mm f/4 S is a sharp, compact zoom for the Z camera system that's an especially good value when purchased as part of a bundle. Don't even exists? A fresh and sleek take on the classic fast portrait-length prime, this 85mm f/1.4 lives up to mirrorless’s claims of reducing heft while maximizing quality. It's one of the few Z lenses to not be included in the S Line, but it does include some dust and splash protection. Its ultra-wide field of view pairs with a “Zero-D” design that limits unwanted distortion, and +/- 11mm of shift helps to control keystoning and correct converging lines to … The Venus Laowa 10-18mm f/4.5-5.6 lens has the widest angle of view of any rectilinear full-frame zoom, but it doesn't offer autofocus. It's certainly been a little slower to build things out when compared with Canon, which launched its EOS R mirrorless system at the same time, though both lag behind Sony and its much longer running mirrorless E system in terms of sheer volume of available lenses. Do you know there are a considerable number of people that own Lumix? Compactness and versatility all in one zoom – Olympus M.Zuiko 14-150mm f4-5.6 II Review; … Beyond focal length, this G Master lens has an advanced optical design that’s all about limiting distortion and maximizing sharpness throughout the zoom range, making it an immensely versatile lens from wide to long ends. The Nikon Nikkor Z 50mm F1.2 S gathers more light than most lenses, netting shots with exceptionally shallow depth of field. Check out our announcement on the 50mm f/1.2 here. The Nikkor Z DX 50-250mm F4.5-6.3 VR zooms in close to snap shots of distant subjects. The manual focus Nikon Nikkor Z 58mm F0.95 S Noct sports an ultra-wide aperture for exceptionally shallow depth of field and night sky photography. Besides it being sleeker and lighter, this f/4 version retains its L-series classification, standing for optical excellence and weather sealing, and it features a five-stop-effective image stabilization system to minimize camera shake. The angle of view is tighter, but otherwise they operate the same. Today's best tech is in mirrorless systems. First in class: The Tamron Zoom Wide Angle-Telephoto 28-200mm f/3.8-5.6 Aspherical LD IF lens. To say it's not for everyone is an understatement. The Canon RF 24-70mm F2.8 L IS USM Lens is my go-to general-purpose zoom lens. With the DG DN lenses, though, the company seems to be minding the collective desire to make smaller lenses for the smaller mirrorless camera sizes. It’s also weather sealed and outfitted with a variety of dials and switches for intuitive handling for fast-paced shooting. Nikon has released two wide zooms, the 14-30mm F4 S and 14-24mm F2.8 S, and the 20mm F1.8 S prime for the Z system to date. If you want a versatile lens that can handle most shooting situation, then consider a travel zoom. PCMag.com is a leading authority on technology, delivering Labs-based, independent reviews of the latest products and services. The Nikon Nikkor Z 24-200mm F4-6.3 VR covers a big zoom range. The Atomos Ninja V is an add-on recorder for digital cameras that opens up more video features when recording to a memory card, so you can get the absolute best video quality. You'll know a lens is for a DX camera if you see those letters in its product name. You can use pretty much any vintage, mechanical lens with the right adapter; we have a guide if you're interested in going down that rabbit hole. The development roadmap includes a 200-600mm, presumably similar to the consumer-friendly 200-500mm zoom Nikon sells for its SLRs. Download one of these great options and you'll be on your way: Echoing the attention currently given to mirrorless cameras, lens releases in 2020 also primarily went the mirrorless way. Longer than a 70-200mm and a 100-400mm, this lens’s reach makes it that much more useful for sports and wildlife shooting. One of the sharpest lenses currently on the market, reasonably priced and very well made. The DX 16-50mm F3.5-6.3 VR is the standard zoom, and the DX 50-250mm F4.5-6.3 VR takes care of telephoto duties. The Z Teleconverter TC-1.4x extends the reach of your lenses, but does reduce the f-stop. In general, you'll enjoy quicker, more precise autofocus, better video features, and a real-time preview of your image in the viewfinder by going mirrorless. Superior performance and resolution. Enter the all-in-one zoom lens for SLR, DSLR, and mirrorless cameras—the photographic representation of the jack-of-all-trades. Hi Rudi- I'm definitely a fan of Panasonic, I applaud their move into full-frame and the use of the L-mount and their Micro Four Thirds cameras are some of the best hybrid cameras around. None of these are part of the S Line, so we expect them to be priced for consumers and hobbyists. Lenses aren't the only add-ons available for digital cameras. Hope for Prospective GPU Buyers? It's part of the S Line, but no further details are available at this time, including the f-stop, pricing, and release date. It's compatible with a pair of teleconverters, the TC-1.4x and TC-2x. This means if you’re using a lens with an adapter, you might notice it autofocuses slower than it did on your DSLR or with an equivalent mirrorless lens. Gen. #0907906. It's not an exclusive club, as all but one of the full-frame lenses for the system are included so far. There are no less than four in the current Canon RF line-up. The development roadmap includes a brighter 85mm and a 105mm macro. Naturally, mirrorless lenses are designed to work with the focus on mirrorless cameras, while DSLR lenses are designed to work with DSLRs. It's a good buy if you love its throwback style, but not everyone will. 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When selecting a lens for your mirrorless or DSLR camera, you have two broad categories of lens options. Zoom power and aperture vary from lens to lens. After testing dozens of models, we think the best mirrorless camera for most consumers is the Sony Alpha a6100. #0907905; Sec. Nikon promises to add a pair of compact primes in 28mm and 40mm focal lengths, and there's also a 50mm macro. Panasonic Lumix G Nocticron - https://amzn.to/2Nzih5g3. They're typically smaller than zooms, capture more light, and can net blurrier backgrounds. Canon has stated that they intend to release more EF-M lenses including a 300mm telephoto zoom lens. Now, Canon has released the even smaller RF 70-200mm f/4L IS USM, which trades in a stop of light for about a 13 oz reduction in weight and 1" off the total length. The Best Canon Full-Frame General-Purpose Zoom Mirrorless Camera Lenses. Despite its fast F2.8 aperture, the lens is very small (3.4”) and feels perfectly balanced attached to a compact APS-C mirrorless camera body. This is a short list, as Canon only makes one relatively inexpensive native lens. This lens is an ideal example of offering high speed and a manageable size. Nikon's version for mirrorless is everything you'd expect it to be. The first is a prime lens, which offers a single focal length that cannot be adjusted. The new 11-20mm F2.8 zoom is the world’s first[1] ultra wide-angle zoom lens for Sony E-mount APS-C[2] mirrorless cameras that features an aperture of F2.8. Enter new zip code to refresh estimated delivery time. Designed for full-frame FX Z-series mirrorless cameras (the Z 5, Z 6 and Z 7 ), it also works well on the DX format Z 50, with an effective focal length range of 36-300mm. You may unsubscribe from the newsletters at any time. Nikkor Z 24-50mm f/4-6.3. It's small enough to fit in your camera bag, but delivers the power and the off-camera operation you expect from a monolight. This is a great option for Canon mirrorless shooters looking for the prized 70-200mm range but who can do without the speed of an f/2.8 maximum aperture. Works very well on SONY A7R4. Despite its fast F2.8 aperture, the lens is very small (86.2mm / 3.4 in) and feels perfectly balanced attached to a compact APS-C mirrorless camera body. It has a tough, weather-sealed construction but weighs in at just 570g, and offers the kind of zoom range normally requiring two separate lenses. Please enable javascript for your best B&H experience. The Lensbaby Velvet 28 lens has a distinctive soft focus look for ethereal environmental images and macro shots. Ultra-wide and ultra-versatile, this exacting zoom mixes focal length flexibility with a bright f/2.8 design to realize an ideal lens for landscape and nature shooting. Speed up future orders, see order history, create wish lists, and more. Until recently, high-quality telephoto lenses have been limited to the realm of full-sized DSLR cameras. The easy-to-use Sennheiser MKE 200 microphone delivers a clear, crisp directional signal for cameras and mobile devices. The Nikon Nikkor Z 14-30mm f/4 S lens captures epic wide-angle views with crisp details and minimal distortion. Rounding out its holy trinity of f/2.8 zooms, Nikon’s Z system is now ready to handle almost any shooting situation faced by working shooters. But recent advancements in mirrorless cameras and lenses … What are your favorites from 2020? Nikon has released exactly one telephoto lens for the Z system, but it's the one that every pro photographer will want. https://www.pcmag.com/picks/the-best-sony-mirrorless-lenses For a mirrorless camera, you have essentially 3 types of sensors: Micro 4/3, APS-C and full frame, each with its own size. Buy it on Amazon.com Its F series was the darling of photojournalists and artists in the film era, and the its high-resolution D850 is still one of the best SLRs available today. Even when extended to the 500mm telephoto end, the lens is still compact enough for comfortable handheld shooting. The Nikon Nikkor Z 35mm f/1.8 S is a sharp, light prime lens for Nikon Z cameras that's built well and delivers excellent images, but is on the pricey side. Lensbaby's Composer Pro II lens features a better build than the original and can be bought along with your choice of lens. The Best Canon Mirrorless Camera Telephoto Zoom Lens for 2021. If you can't wait for a native Z version, the Nikon AF-S 500mm F5.6 and AF-S 300mm F4 are exceptional choices for adapted use—they're both relatively compact. If you're after a macro, an extreme telephoto prime, or a fish-eye, you'll need to rely on the adapter, at least for now. That's not a concern for many landscape photographers, who enjoy using narrow apertures and neutral density filters for long exposure work. Extreme reach, built-in teleconverter, and advanced optics—this lens checks all boxes for what a super-telephoto zoom needs to be. The Megadap MTZ11 is there if you'd like to add autofocus to screw-drive, or even manual lenses from other systems, but it's more niche than mainstream. DIL (digital interchangeable lens) cameras, which are mirrorless interchangeable lens cameras (ILC), also use lenses that are listed by their focal length, rather than an X zoom number. Photographers who want to bring subjects into closer view can reach for the Z Teleconverter TC-2x. We typically recommend the latest version of the Tamron SP 90mm F2.8 Macro for Nikon SLR owners, but it doesn't work with the FTZ. The Lensbaby Velvet 56 is a macro lens that delivers a soft focus look when shot at wide apertures, but sharpens when stopped down. The Nikon Nikkor Z 85mm f/1.8 S is yet another excellent prime lens for the Z mirrorless system. The best Nikon standard zoom lenses for Nikon Z mount mirrorless cameras, such as the Nikon Z 50, Z 6 and Z 7. Keep an eye on your inbox! The S Line includes the best construction and optics. It adds a very modern twist—the ability to control just how extreme the swirled background behind your subject looks.
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