melina matsoukas jason matsoukas
“I had never done something with that much money and effort,” Matsoukas said in 2010 to the website Def Pen. It’s invigorating, how much confidence it has, and how much space it allows itself.”, As a way of honoring Jason’s Lyric, Woodbine was brought into Queen & Slim to play an antiheroic ally to the main characters.
“Yep,” says Matsoukas, “looks good.”. Then an aggressive traffic stop by a police officer turns fatal, and the couple is forced to go on the lam. Matsoukas started out at Black Dog Film, then the now-defunct Gorilla Flix film production company, and is currently a director at Prettybird, which she has been signed to since 2011. In a dim room, she’s leading a team of mostly men through color edits. The video — Matsoukas’ 12th collaboration with her — capped Beyoncé’s ascent from pop star to American goddess, and won them both the Grammy for Best Music Video. “It’s wild to say, but me and Melina, our relationship is very Quincy Jones and Michael Jackson,” she says. Hers is a detached silence that means, I’ll wait for an alternate response. © Copyright 2020 Rolling Stone, LLC, a subsidiary of Penske Business Media, LLC. We want to hear from you! “We’re beginning to redefine our community — and hopefully our version of Hollywood.”, Her father, a half-Greek, half-Jewish woodworker, and mother, an Afro-Cuban, Jamaican professor, met through a socialist student group in New York City, and raised their daughter in the Bronx before moving to New Jersey. Matsoukas’s unwavering gaze makes clear what finery can mean to those who have been historically denied payment for their labor.
Journalists often refer to her dad as a carpenter, yet she prefers the world “builder,” as in someone who can make anything if they just have the materials. This is the studio where Steven Spielberg has been making hit films since Jaws. “He had a rodeo in the Bronx to get kids off the street.”, At Hackensack High School in New Jersey, where her family later moved, Matsoukas was into photography and hip-hop. “She fought to have me because she appreciated what I had done in my space. The old Hollywood-reinforced norms could not have imagined Queen and Slim on the run, or Crazy Rich Asians, Black Panther, Hustlers, or the multiculturalism and global popularity of the Fast and the Furious series. [1] She was honored with the Franklin J. Schaffner Alumni Medal by the American Film Institute in 2019. “To where the filter was making that double-image thing.”. Waithe became the first black woman to win an Emmy for Outstanding Writing for a Comedy Series, which she shared with co-writer Ansari.
Her directorial debut in film was Queen & Slim, starring Jodie Turner-Smith and Daniel Kaluuya, and written by Lena Waithe. If you watched Titanic as millions did in 1997, you could be forgiven for not knowing that there was a real-life tragic love story on the ship, in which a Haitian engineer drowned while his wife and two daughters made it safely to lifeboats. (Only Mark Romanek, at three, has more.) At a pinkish dawn, two people walk from a truck in flames. 1 pop hit called “Money Maker,” Ludacris brought Matsoukas on board for a video that showed off her love of the kaleidoscopic — almost every shot is set against radiant greens, oranges, and reds. It was released on November 27, 2019, by Universal Pictures. The quick turnaround, the creativity."[8]. She talks about hues like lovers. A year after graduating from AFI, Matsoukas directed the 2006 black-and-white video for “Dem Girls,” a song from her cousin Red Handed, Scooby, and Houston rapper Paul Wall. A few years after that, Universal was under fire for Spike Lee’s Do the Right Thing before it was even released. Want more Rolling Stone? The goal of the second year at AFI is to make a short film. In this screenplay, written by the Emmy-winner Lena Waithe, a Tinder-matched duo, portrayed by Daniel Kaluuya and Jodie Turner-Smith, goes on the run in the wake of the shooting death of a police officer. It’s a nuanced and electric performance — Woodbine gives himself completely over as a wrecked and needy veteran. It’s important for us to see us love each other in all the ways we love each other.” Queen & Slim stares back through history at Fort Apache, and at almost a century of segregated Hollywood, with intention and authenticity. And that it’s her first film? The video for the 18-karat gold “Upgrade U” is early Matsoukas at her most thematically robust. “Everyone was looking at me like, You don’t have the experience to be doing this.
There are the iconic shots of Beyoncé on a sinking New Orleans police cruiser. He answers clearly: “No.”. But then the project takes shape. The words “Stop Shooting Us” appear on a wall. The video, incredibly, served as a reminder to mainstream audiences that Beyoncé is a black woman. Another scene stars turquoise latex, a jade car, and a facial expression so blue you could drown in it. It also earned them an accusation from the National Sheriffs’ Association of “inciting bad behavior.”, “I love to challenge the authority and the norms,” Matsoukas says, a notion that her debut feature, Queen & Slim, doubles down on. Matsoukas’s ability to not overlight or underlight brown skin tones (a longstanding problem in the film biz) did not go unnoticed. “Thanksgiving” was named by TV Guide as one of the best episodes of the 21st century. The audience is not meant to be even slightly distracted from the white car with the TRUSTGOD plates, putt-putting across the screen. They’ve challenged me to be a better artist. Fort Apache depicts not even a whisper of this energy. With its scenes from the ’hood, long tight braids, and bodacious choreography, the work punches back at the problematic contention that global celebrities like Michael Jordan, Alicia Keys, and Janet Jackson “transcend” race. Want to be. Put blues in, put warms in the highlights. Her father is of half Greek and half Jewish descent, and her mother is of Afro-Cuban and Afro-Jamaican descent.
“It was very much hers, and she let me do my thing.
A romantic thriller that pivots on police violence, the movie opens with a first date between two strangers (played by newcomer Jodie Turner-Smith and Get Out‘s Daniel Kaluuya). Queen & Slim is fueled by a similar question: Can we honor black lives while they’re alive? Take it out. “It becomes,” Matsoukas says smiling, “a story, something that’s hopefully strong and powerful. Her parents were about communism and equality and activism, and Matsoukas was a sponge. For making this video with me.” The squeal is a moment of uplift, an embrace for being seen, but also for a collaboration that recast the narrative around Rihanna’s relationship. In a pivotal scene, black and brown activists are assembled around a corrupt NYPD precinct. It was also the first feature directed by a black woman to be released widely in theaters. It was diminished,” says Matsoukas. Waithe and Matsoukas are also inspired by a shared love of two cult films (the cult being black audiences) from the 1990s.
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