Lin’s Eleven Minute Line (above) is a giant earthwork built into the Swedish landscape in 2004. Content compiled and written by Laura Fiesel, Edited and revised, with Summary and Accomplishments added by Ruth Epstein. Here Lin takes up the representation of these immense volumes of water and shapes them from plywood layers. In addition to remaining a place of historic honor and reflection, it is now accepted as a major milestone in 20th-century art. How might a sculpture like this encourage viewers to think about the environment? Last week, I heard Maya Lin speak at the university where I work. All Rights Reserved |. While to the untrained eye this looks like a tangle of aluminum wire, it is actually a meticulously constructed three-dimensional model of one the most remote locations on the planet: the ocean floor sitting along the Mid-Atlantic Ridge that rises to form Bouvet Island, about 1,000 miles north of Antarctica. According to the artist, her objective in this 12-foot-high 1,600-foot-long curving line of earth was to make a three-dimensional drawing. The viewer’s experience is constantly changing as he or she views the sculpture and surrounding land from different locations. With her environmental works Storm King Wavefield, Eleven-Minute Line (Sweden), and Pin River–Yangtze (Beijing), Lin maintains a balance between art and architecture, drawing inspiration from culturally diverse sources. Lin was inspired to create the piece by prehistoric burial mounds near her home in Ohio. Each work is composed of a single material. This is what I saw. Maybe they could write a second paper on why the…, @NuitsdeY I don’t think so, but that is a good thought. 2×4 Landscape is composed of more than fifty thousand vertical two-by-four boards placed in a configuration minutely detailed in models and drawings.

For example, its precise 90' by 90' grid of rising crests mimics that of a naturally occurring wave. Each, configured to evoke a different aspect of landscape, went through the same process of design: creation of a three-dimensional model in Lin’s studio, translation via scanning or plotting into digital drawings, and finally, full scale construction in Seattle. A fine copy in original wrappers. How does this sculpture change as the seasons change? In this issue, you’ll read about several contemporary artists doing just that. Monograph on Lin's landscape piece, "Eleven Minute Line" at the Wanas Foundation in Sweden.

For the best experience on our site, be sure to turn on Javascript in your browser. Its ends point towards the Lincoln Memorial and Washington Monument, respectively. Photo: Courtesy of Salon 94. When the project was accepted, the backlash was swift and fierce.

Sweden. The rendering was translated into architectural scale and fabricated from quarter-inch diameter aluminum tubes. [Internet]. You are being redirecting to Scholastic's authentication page... Access this article and hundreds more like it with a subscription to Scholastic Art magazine.

How does Lin use vending-machine toys and their containers to make a statement about garbage? Required fields are marked *, You may use these HTML tags and attributes:
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I chose this work by Maya Lin because at first I thought it was her signature. Wood, trees, water, earth, and metal - American Express Client Service Center, Minneapolis, Minnesota.

Share. JavaScript seems to be disabled in your browser. i had recently read somewhere that Lin will be creating works along the Columbia River, at landmark Lewis & Clark spots, or something like that. Recycled Landscapes, Toy Asteroids, 2009. Tempered Safety Glass - Wexner Center, Colombus, Ohio. Covering approximately twenty-four hundred square feet, it rises from a plane of short two-by-four segments to a hill ten feet tall. Maya Lin’s “Eleven Minute Line”, located in a cow pasture in Sweden, is a 1600 feet long “line” which in some places reaches a height of 12 feet. This squiggly line is 1600 feet long and 12 feet high. Maya Lin is one of the most important public artists of this century. Maya Lin: Eleven Minute Line Wanas 2004 LIN, MAYA & MARIA WACHTMEISTER. Nick Cave Performance at Grand Central Station, Maya Lin, Wave Field 2009 @ Storm King Art Center. As an architecture student at Yale, Lin designed the Vietnam Veterans Memorial as a class project, entering it in the largest design competition in American history. At seven points along 300 miles of the Columbia River basin, Lin and a team of landscape architects are creating site-specific (setting is part of the work) viewing platforms where visitors can reflect on the ecology and history of each place. Sorry, your blog cannot share posts by email. This site requires Flash 9+ to view. Lin had previously experimented with this material in smaller-scale works. El Anatsui, Broken Bridge II 2013 @ the Highline.

While evident even in her earliest sculptures, Lin's conviction that her work should be an homage to earth has grown stronger over the years. The resulting sculpture is balanced on its deepest point.

It was a real privilege to hear such a well-known artist speak. Before I left New York I spent a perfect day exploring by bike all the amazing art living among the rolling hills and trees at the Storm King Art Center outside the city. The water wall appears to be flowing from the inside out and culminates in a pool. Lin used two types of recycled glass, which mimicked the color of water when mixed together. Maya Lin, Water Line, Aluminum tubing and paint 2009. Among the largest and most striking of these mounds is the so-called Serpent Mound of the Hopewell Indians (100 BC-700 AD). How does it look different when viewed from above rather than at ground level (see insets below)? In blurring the boundaries between inside and outside space, the work is designed to raise awareness of the environment, even in a major metropolitan center. The fluidity this structure, an intentional element of surprise, relates to Wave Field in thwarting our expectation that the ground in public space should lie flat. It is meant to be a walkway for the viewers to experience, taking eleven minutes … Always drawn to nature, as a mature artist, Lin has gravitated to sites of natural wonder, in works that seek to highlight the extraordinary fragility of earth's ecosystem. The ceremonial completion of Cape Disappointment State Park, the first of seven sites, took place on April 22, 2006. Rather, by honoring those who sacrificed, we hope to provide a symbol of national unity and reconciliation." Lin was inspired to create the piece by prehistoric burial mounds near her home in Ohio. Enter your email address to follow this blog and receive notifications of new posts by email. Etched granite - Constitution Gardens, Washington D.C.

The Serpent Mound is the largest effigy structure in the United States, and it is thought to have been built by the the Fort Ancient people. The design caused such intense debate that Lin had to suspend her career as a college student to defend it, and she was not entirely successful. Are you familiar with Maya Lin’s work (aside from the Vietnam War Memorial)? A subtle environmental message is underscored by the slightly exaggerated swelling of the pins at the multiple dam sites on the river. Eleven Minute Line. and had a moment with Art. ; illustrated from photographs and drawings. The formations, although made from such a harsh medium, evoked a sense of calm much like a landscape or seascape. didn't know she was the one to do the Vietnam memorial, but I really really like her eleven minute line! Lin has completed work at five of seven sites. Here are a few of my favorite art experiences from 2013. The Vietnam Veterans Memorial, one of the most controversial works of the 1980s, lies on the northwest corner of the National Mall in Washington D.C. Two simple walls of polished granite fall ten feet below grade and meet at a 130-degree angle in a V-shape. Square 8vo; 68 pp. Basically, these European explorers could not conceive that Native Americans could have built something so complex and monumental. "Maya Lin Artist Overview and Analysis". Buy Direct. Specifically inspired by the movement of water, the work is about fluidity. This made many viewers uncomfortable. @MadeSadEasily Oh, that would be an uncomfortable one to navigate. The Center has an amazing 500 acres of art and nature. For the best experience on our site, be sure to turn on Javascript in your browser. Subscribers receive access to the website and print magazine. Advertisement. Lin’s most recent project is her most ambitious yet. Tbilisi Architecture Biennial – Room for the Unexpected. Installation at Storm King. This visually rich volume presents 50 projects from the last three decades that demonstrate the scope of Lin’s creative process, featuring her own sketches and drawings and linked by her ideal of making a place for individuals within the landscape. The piece explores the relationship between a two-dimensional line drawing and the viewer’s experience walking that line in a three-dimensional landscape. the Chinook) viewed the land. Naturally that  eventually led me to spend probably entirely too much time on her website. You can download the latest version here.. Best known for designing the Vietnam Veterans Memorial in Washington, D.C., Lin has spent her career making art, architecture, and monuments, all inspired by the surrounding landscape. Concrete Jungle, a part of the Bushwick Collective. Maya Lin, Eleven Minute Line, 2004 Photo by: Anders Norrsell washington dc, Wanås Konst, mattias givell, Elisabeth Millqvist, house of sweden, the wanås foundation, skulpturpark, Sculpture Park, marika wachtmeister, Maya Lin, Imagine Art in Nature, eleven minute line The cubes forming the sculpture are made from vertical sheets of particle board with the top edges cut to match a topographic line. In 2002, she designed an interior landscape that worked its way from the outside into the center of an office building in Minneapolis, transforming the American Express Client Service Center into an installation, an Earth Work, and an architectural form that defies categorization. The sculpture also seems different as the seasons change. Today I stood a top of Maya Lin’s Wavefield, (2009) at Storm King  Art Center… While Google Earth and other developments since 2006 have made it easier to view far-flung locations, we still don't think much about what lies below the earth's surface, yet water makes up 70% of the Earth's area. Designed for the FXB Aerospace Building on the University of Michigan campus, this outdoor sculptural installation engages one of Lin's earliest and most fundamental passions: science.

Maya Lin, Eleven Minute Line, Wanås Foundation, Wanås, Sweden, 2004. her website. It acknowledges that each individual will respond differently, and gathers visitors together in mourning, without telling them how to make sense of the military conflict.



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