greg graffin political views
Anyone who has been paying attention the claims and demands of the woke will, by now, be familiar with such ideas. This is in no way to suggest that such groups are never as good as their “competitors.” However, if the, percentage of female/minority musicians on, say, a festival bill is substantially above their. It calls for the dismantling of capitalism, the nuclear family, and Western civilization itself. Kelli Skye Fadroski lives for entertainment.
Or we get stuck with a monstrosity when we should, in fact, be moving towards enlightenment. While he is a victim of “systemic” racism and homophobia, she is, additionally, a victim of patriarchy. We wanted to write about things that were puzzles of human existence. —existed in punk long before they entered the mainstream. It’s a story that begins at El Camino Real High School in Woodland Hills in 1979 and moves on to the first time Graffin, guitarist Brett Gurewitz, bassist Jay Bentley and former drummer Jay Ziskrout got together to play at “The Hell Hole” (the nickname for Graffin’s mother Marcella’s garage in Canoga Park) in 1980. In the case of Black Lives Matter, the prevailing narrative—that there is an epidemic of racist police killings best solved by defunding law enforcement—is not only false but a slap in the face to crime-ridden black communities in need of better—and often more—policing. “I wasn’t brought here, I was born Circumcised, categorized, allegiance sworn Does this mean I have to take such shit For being fair skinned? The lyrics accuse law enforcement of “Working for a fascist machinery.” This sentiment is echoed by the modern Antifa chant “No Trump, no KKK, no fascist USA!” The chant is a twist on lyrics of another early 1980’s punk band called Millions of Dead Cops: “No war, no KKK, no fascist USA!”, The radical view, common among anarchist-leaning punks, that all hierarchical structures are inherently oppressive (hence the conflation of fascism and democracy) disregards the immense social value of competence hierarchies, that is, hierarchies based on merit rather than dominance. The following day, I was approached by several people telling me that I had screwed up: I had failed—no, refused—to address punk’s glaring “gender injustice.” I argued that I was not obliged to do so. History and the scientific method, the authors suggest, ought to be replaced by myth and “folk science.” Gender, too, is painted as a social construct created “in the interest of Power.” Theft and “revolutionary” violence are endorsed as means of “resistance.”. Punks tend to look at society through a Rousseauian lens: “Man is born free, and he is everywhere in chains.” In their eyes, the laws and institutions governing democratic society negate human freedom and equality. It may be surprising to some readers that punk bands addressed such issues decades ago. Punks tend to support political movements that cast themselves as defenders of the downtrodden, usually in conjunction with ideologies based in, . She graduated from Cal State Fullerton in 2006 with a B.A. GG: Yes, of course, I do. In a San Fernando Valley garage situated north of the decrepit glamour and clubs that composed Hollywood, hardcore punk band Bad Religion set the stage for their next 40 years together. So, when the book came back from the printer, those in charge of distribution refused to handle it, and the decision was made to shelve it.
In other words, why had I not gone out of my way to include more female voices? According to Greg Graffin, punk began as a “musical and philosophical statement of independence.” This independent spirit has manifested itself structurally as well.
Our ability to reason is something that obviously I have dedicated my life to [and] I feel that I am privileged that I can reach a lot of people by writing music. GG: That’s a really tough question. As of late, however, I have increasingly come across punk promoters unwilling to book bands that do not meet “diversity and inclusion” criteria. But it is a fallacy to assume that what works in microcosm can be applied to society at large, especially considering the darker aspects of human nature. She can be reached at aer285@cornell.edu. White punks are thus discouraged from wearing dreads, sometimes to the point of being banned from concerts. What you learn in college, you take with you in life. GG: We’ve always tried to write music that could extend beyond the now and touch on something that was elemental about human existence. Freedom of speech, after all, includes the right not to speak. I connected with that and how intelligent the songs were. I never did throw a tanty, now did I?”. “It just warms the heart.”. One strategy to protect against false narratives of this sort is to apply the maxim “question authority.”, science popularizer Carl Sagan: “Authorities must prove their contentions like everybody else.” This principle is central to critical thinking and a key element of punk’s broadly humanistic philosophy. Bad Religion’s Greg Graffin talks about influencing a generation of punks The brainy punk legend brings his SoCal stalwarts back to Jannus Live in St. Petersburg. Greg Graffin Ph.D. ’03: That is a really interesting question because it’s not immediately obvious that they have anything to do with one another. A recent example has been punks’ overwhelming support for Black Lives Matter, whose view of society is based on the presumption of systemic “white supremacy.” There is a danger, however, that the narratives pushed and controlled by such movements are inaccurate, misleading, or downright false (not to mention, self-serving). Having four decades of memories chronicled in one book has given the band a chance to pause and look back at some of its accomplishments. But, in recent years, I have seen large segments of the scene fall prey to the same divisive identity politics, crippling political correctness, and self-righteous social bullying that have increasingly come to dominate mainstream culture. I ain’t a part of no conspiracy, I’m just you’re average Joe, …I can accept responsibility for what I’ve done. Bad Religion’s Greg Graffin talks about the band’s 40 years of punk rock The singer also reveals a family secret about the group, which started in Woodland Hills in 1980. However, not everyone involved in the publishing process had been consulted. Not only does it conflate race and culture in a way that verges on racial essentialism, it also has a chilling effect on freedom of expression and cultural cross-pollination, key prerequisites for cultural development and progress. Those are things that are sadly lacking.
Driven by an almost religious sense of moral certainty, nominally anti-authoritarian punks routinely assume the authority to monitor and censor the conduct and speech of others. The motto of the festival was “Social, racial, gender justice now!” At the end of my talk, a predictable question was raised: Why were my interviewees overwhelmingly male? Sexual harassment, after all, has been known to occur in even the most progressive punk communities. The 18th century philosopher and economist Adam Smith referred to this phenomenon as “the invisible hand”: the unintended social benefits of an individual’s self-interested actions. This anti-meritocratic, anti-individualistic approach is meant to “empower” women and minorities. As of late, however, I have increasingly come across punk promoters unwilling to book bands that do not meet “diversity and inclusion” criteria. We, as a band, are pretty united in agreeing that what we’ve achieved so far is pretty impressive, and we don’t think any petty disagreements would be good … we don’t really have any petty disagreements.
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